![]() I'm sort of of the Beatles generation, 'Love Is All You Need.' I thought by the time I grew up there would be no wars, everybody would get along, there would be no more prejudice, pot would be legal. And for him to sort of have this dark vision, it was really hard, because you have to relate it to your own life, as fantastic as the situation is. You can't be the cocky, happy-go-lucky optimist without being repetitive. It was sort of uncomfortable he pushed me into places I didn't want to go. He related the path of the heroic Jedi to the direction that our world has taken since Star Wars first became a thing back in mid-20th century, and came to the realization that Luke's cynicism is well-earned in contrast to the optimism he personally possessed as a young kid. Similar to comments he made back in December when he was first really promoting Star Wars: The Last Jedi, Mark Hamill told me that he initially recoiled at the path set down for Luke Skywalker by Rian Johnson, but it was something that he eventually understood by digging into the larger context of the material. Hamill certainly agreed, and then went into major detail about why the filmmaker's choices were the correct ones. Right out of the gate I told Mark Hamill how much I appreciate the way in which the movie subverts expectations, and asked for his thoughts regarding the importance of those decisions made by writer/director Rian Johnson. ![]() ![]() This was just the start of my recent conversation with the legendary actor, whom I had the opportunity to sit down with earlier this month during a special Star Wars: The Last Jedi press day in Dublin, Ireland. So I think that was Rian's challenge, and I love the unexpected. I mean, robots arguing over whose fault it is? It was absurd in a delightful way. Because when I read the original Star Wars I thought it was hilarious. You want to deliver the elements that everyone expects - the action, the adventure, the spectacular sort of special effects, the characters, and the humor, which I think is very important. It ultimately had the effect of rubbing some folks the wrong way, but to hear star Mark Hamill talk about it, you begin to understand why all of those choices were important:Īs you go along it's more and more difficult to surprise people. While fans had spent two years building up certain expectations for how events would go down in the anticipated sequel, the blockbuster shocked fans with twists at every turn - from the revelation about Rey's parents being nobody to Luke's first reaction seeing his father's lightsaber. Feminist horror movies can feature women as the heroes as well as the villains, since sometimes there's nothing more satisfying than watching a furious woman rain terror down on men that deserve it.Rian Johnson's Star Wars: The Last Jedi is a film that surprised a lot of people. But as many times as a movie has contained a plot device where the virgin lives while the "whore" dies, there are so many other horror movies out there that subvert those expectations or ignore that plot device altogether to tell fascinating, original stories about women, using horror as the mechanism. A lot of "torture porn" is called that for a reason. And that makes horror an awesome showcase for feminist values, as the feminist horror movies on the list below will show you.Ĭertainly a huge chunk of horror movies, famous, cult, and flat-out bad, contain major heapings of misogyny and sexual objectification. That's always been one of the things that draws people to the genre: the films might seem like mindless gore, but they're full of metaphors and symbols for human behavior, our deepest fears and our basest instincts. It's very satisfying to live in a world where horror movies are having such a resurgence and are being examined in ways that highlight how often they subvert the expectations, fears, and biases of society.
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